Most Phish fans can be categorized into two groups. One that has 'The Spreadsheet' in their browser bookmark bar and the other that is yet to experience the "Holy Shit!" moment when they discover it for the first time. A labor of love & dedication, the Spreadsheet is one of the definitive sources for Phish MP3's and catalogs every known circulating show since 1983. A mere utterance of the term, "The Spreadsheet", and most fans instantly know that you are talking about Kevin Hoy's Google Doc. But how did this amazing resource come about? And who is Kevin?
I spent some time recently asking Kevin all about the Spreadsheet.
Phish and its management, including security manager John Langenstein, tour director Richard Glasgow a/k/a "Dickie Scotland" and management gurus at Red Light Management get prominent mentions in an interesting article in today's Wall Street Journal about concert security here.
Before YouTube removed it earlier this week, most of the Phish community had seen a video of a Phish fan at SBIX under the influence of what appears to have been a psychoactive substance. The man was sitting cross-legged on the concert field during "Crosseyed and Painless," by himself, harming no one, and taking in the music. The person responsible for posting the video on the Internet also supplied some editorial commentary - which amounted to little more than speculation - about what was happening between the subject's ears.
Welcome to a very special Independence Day edition of the Mystery Jam. Ward off your SBIX hangover and enjoy a little MJ57 with your Heinz 57! As usual, we will be playing for an MP3 download courtesy of our friends at LivePhish.com / Nugs.Net. The rules haven't changed: you need to correctly identify the song and the date to win. Post your guess in the comments. One guess per person per day (with the second “day” starting after I post the hint). The hint will come on Tuesday and the answer will be posted on Wednesday. Good luck and God Bless the Mystery Jam...
Tuesday Hint: Well done! Most everyone seems to be on the right track with this one.
Wednesday Answer:7/25/03 "Star Spangled Banner." Congrats to Aitrus719 for winning the Phish.net Fourth of July Lottery! I suppose a hint wasn't really necessary this week, but the Blog was just enjoying watching everyone come up with random versions of the Star Spangled Banner and didn't want it to end. See you all next Monday for the next installment. (Early hint: it won't be a cappella.)
Note: This review was co-authored by @lumpblockclod and @jwelsh8. So, if you don't like it, it was the other guy's fault.
Heading into the final night of SBIX, expectations, as they tend to do for Phish festivals, were running high. The previous three nights had produced some outstanding highlights along with some stretches of relatively uninspired setlist calls and, in the opinion of some, timid execution. The highs were undeniably high: an outstanding soundcheck capped by a jam that would have been the highlight of nearly any other show from the first leg of summer tour and a wildly experimental “secret” fourth set on Saturday. The lows were punctuated by two song-oriented sets on Saturday that failed to deliver much in the way of adventurous improvisation. Nevertheless, Phish has always been a band that can turn on a dime and a strong show on Sunday would likely win over even the most jaded among us.
“Soul Shakedown Party” opened the show, continuing the parade of covers this weekend. Only the sixth since its debut in Amsterdam 14 years ago, and the second of 3.0, Phish wanted to make sure we all felt welcome at their Holiday celebration. "This is my invitation / I've got the special vacation." “Soul Shakedown” is usually a harbinger of good things to come and so it would be tonight. “Bag” followed with a rough beginning, but energetic ending, after which we got the first “With”-less “Curtain” since 2000. So “Scents” has its intro back, but “The Curtain” has lost its “With.” Trey giveth and Trey taketh away. "Curtain" was played quite well, with the whole band in synch and hitting all of the cues.