GlowStickWars.com has launched a brand new online store, carrying a bunch of new products. The new store includes tubes of solid color Show Sticks (blue, green, and red), LED Gloves (reusable), LED Shoe Laces (reusable) and lots of other accessories so that you can glow at the show from head to toe. GlowStickWars.com is a Mockingbird Foundation partner and will continue to donate 10% of all Assorted Show Sticks purchases to help fund Mockingbird grants supporting music education for kids. Plus, five of the new products will each also generate an additional 10% donation to Mockingbird: Blue Show Sticks, Green Show Sticks, Red Show Sticks, Glow Glasses and Glow Ball Connectors. Order your Show Sticks and other goodies today and take advantage of a 25% off storewide discount!
In honor of Trey's recent orchestral tour, Drew Hitz sat down with Joe Alessi, principal trombone of the New York Philharmonic. Joe, who many consider the greatest trombone player in the world, discussed his experience perfoming with Trey Anastasio at Carnegie Hall in 2009.
Drew Hitz: Had you ever heard any of Trey's music, either solo or with Phish, before he played with you guys?
Joe Alessi: I'm ashamed to say I had not.
DH: Well you won't really stumble upon them in too many mainstream media outlets. Had you ever heard of Trey or Phish?
Hard to believe we've been at this for 90 weeks, but welcome to Mystery Jam Monday Part 90 at Phish.net. As usual, we will be playing for a free MP3 download, courtesy of our friends at LivePhish.com / Nugs.Net. The rules haven't changed: you need to correctly identify the song and the date to win. Post your guess in the comments. One guess per person per day (with the second “day” starting after I post the hint). A hint will be posted on Tuesday (if necessary) and the answer will be posted on Wednesday. Good luck...
Tuesday Hint: THE USERS NEED A HINT!! It's a pretty exciting day at Blog HQ. The correct song has been named.
Wednesday Answer: Welcome back, Rabeldy and nice call on the 6/10/00 "Piper," which (as Rabeldy notes) is not even the jamming highlight of that show. Nevertheless, the Blog will call this one a moral victory and comply with his request make next week an double MJ.
In April 2000, Charlie Dirksen interviewed Carl "Gears'" Gerhard, longtime Phish guest and member of the Giant Country Horns. The following exerpts from that interview were published in the first edition of The Phish Companion.
Charlie Dirksen: What are your greatest musical influences?
Carl Gerhard: I grew up in a family that totally supported my music. I used to sit in my living room at home for hours and try to play along with every song that came on the radio. That really helped me develop my ear, and from that, I was able to recognize and memorize tunes. I had a great band director in high school (Norris Birnbaum), who loved quality music, regardless of idiom or genre. Our band was always performing the most challenging pieces. He pushed me to be a more well rounded player. I've been a Navy musician for 14 years, and I've played with some super-talented people who have influenced how I play today. I mean, some really hot musicians. I can't say enough about Phish. You can't help but be positively influenced and motivated by their music and their musicianship. No doubt about it, they are the best at what they do.
In a show that featured the debut of the re-worked Taste & their first performance in the Netherlands, was this great Tweezer from Melkweg, Amsterdam which Mike will be returning to next week for three shows as part of Jam in the Dam.
Well, you only need to buy "TicketMaster Spinner Bot" by TicketBots.net! See how easy it works to snarf up all the TicketMaster and LiveNation tickets when they go on sale from the comfort of your home, office or your mom's basement for the ridiculously low low price of $950, marked down from
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Hat tip to sharp-eyed reader David Menconi who wrote to Bob Lefsetz' "Mailbag" (3/8/12) that he "was amused to discover that you really can just order up scalping software as easily as you can download a book on amazon".
The following foreword to the second edition of The Phish Companion was written by Lois Harris, who taught Page, Trey, and Fish at Goddard College.
I suppose this little contribution to The Phish Companion should be called a Backward rather than a Foreword, but I guess Foreword will do, given that we will all seem to go that direction without requiring any declaration of the fact. Backward is a different business altogether. In music it’s called retrograde – taking the melody and playing it backwards – in life it is simply memory.
So here are some memories of Phish, as individuals and as a band. First, you have to imagine Vermont: multiple small buildings covered in snow – not always snow, but just to keep this thing rustic, let’s say snow. One building, large by Vermont standards, covered in brown shingle and punctuated by two former hay silos at the far end of the two corridors is the so-called Community Center. The other end of the hall gives access to the Haybarn Theater, wood paneled and multi-functional – a far cry from the massive performance venues the Band would later fill.
Welcome to Mystery Jam Monday Part 89 at Phish.net. As usual, we will be playing for a free MP3 download, courtesy of our friends at LivePhish.com / Nugs.Net. The rules haven't changed: you need to correctly identify the song and the date to win. Post your guess in the comments. One guess per person per day (with the second “day” starting after I post the hint). A hint will be posted on Tuesday (if necessary) and the answer will be posted on Wednesday. Good luck...
Tuesday Hint: No hint needed this week.
In July 2000, Ellis Godard interviewed Ben "Junta" Hunter, the band's first manager/agent, for whom the double-CD Junta is named. The following exerpts from that interview were published in the second edition of The Phish Companion. Additionally of note, this is the 500th blog post on the site!
EG: How did your association with Phish begin?
BH: My “official” association with the band began when we rented a nightclub called Molly’s in Allston, Massachusetts, on 11/3/88. It was the kind of place that had live music only one night a week. If memory serves, they had Dead cover bands and the like on Sundays, and the rest of the time it was a rather, if you’ll excuse the expression, “Euro-trashy” type of dance club.
I would say my primary strength was my ability to proselytize – to spread the good Phish word amongst my friends – and act as sort of a “Johnny Appleseed.” The band’s name was on my lips in nearly every conversation I had during the several years in which I was affiliated with them. I was friendly with the band Ninja Custodian and promoted a gig for them at the Paradise in Boston (with not such terrific results), in late 1990 or early 1991. In fact, it was their drummer, Mike Billington (he of the permanent antic disposition), who first turned John Paluska and myself onto Phish.
EG: What interested you about them so early on?
Hard to believe it has been more than 15 years since Billy Breathes was released. Appearing on Letterman to support the CD, Phish performs Character Zero.