Phish.net folks Brian Feller and Charlie Dirksen are guests tonight on the Type II Cast podcast - available for streaming during or after the broadcast and for subscription via iTunes - discussing the Tahoe and Outside Lands shows. "Songs were played, and then the next songs were played," Brian Feller.
For a limited time, you can access our blog archive at phishnet.tumblr.com.
According to the New York Times article yesterday, President Obama's choice for a key economics adviser, Alan B. Krueger, a Princeton University professor, knows a lot about labor markets and unemployment, having written a key study on the minimum wage and effects on jobs. But Krueger also has a wide ranging set of interests in economic subjects, including a 2004 paper he co-authored on the concert industry entitled "Rockonomics: The Economics of Popular Music", online here.
The summary abstract of the paper states that it:
"... considers economic issues and trends in the rock and roll industry, broadly defined. The analysis focuses on concert revenues, the main source of performers’ income. Issues considered include: price measurement; concert price acceleration in the 1990s; the increased concentration of revenue among performers; reasons for the secondary ticket market; methods for ranking performers; copyright protection; and technological change.
Welcome to the 65th installment of the Mystery Jam. As usual, we will be playing for an MP3 download courtesy of our friends at LivePhish.com / Nugs.Net. The rules haven't changed: you need to correctly identify the song and the date to win. Post your guess in the comments. One guess per person per day (with the second “day” starting after I post the hint). The hint will come on Tuesday and the answer will be posted on Wednesday. Good luck...
Tuesday Hint: No hint needed this week.
Wednesday Answer: Congrats to dclose for going against the "Piper" group-think and correctly ID'ing the 4/16/04 "Twist," easily the best thing to come out of the infamous Vegas '04 run. The Blog will return on Monday with a Very SpecialTM Labor Day Edition of the Mystery Jam.
MP3 Downloads Courtesy of LivePhish.com
Phish Video of the Week
Welcome to a new weekly feature on Phish.net. Every Friday, we will highlight a video with a brief recap of the show it is from and what makes it interesting, noteworthy or simply fun. With the help of Dan Saewitz from Phishvids.com, we hope to keep the stream of videos coming at you entertaining and interesting. Have a cool video you’d like to suggest? Interested in contributing a review yourself? Please feel free to PM me and we’d be more than happy to get your input. Thanks, @tmwsiy
1990, Phish, and Colorado. If you had played that trifecta with your bookie in 1989, you would have walked away a huge winner. Host to nearly a couple dozen shows in 1990, Phish was tearing Colorado a new one night after night. One of the more memorable shows came on 11-02-90 at the Glenn Miller Ballroom at the University of Colorado in Boulder in what became a very well known show and a highly traded & collected tape throughout the 90’s.
This early 90’s show had many of the quirks, jams and special moments that had begun to attract attention & new-found fans from coast to coast. After an announcement that the band had broken up and the show would be performed by “Phish 2000”, the band ripped through an engaging first set that culminated in a "Possum" > "Buried" > "Possum" sequence replete with "Charlie Chan" and "Oom-Pa-Pa" signals.
As engaging as the end of the first set was, the second set closed with a truly memorable "David Bowie". Through a myriad of teases, mostly from songs played earlier in the evening, the band once again showed Colorado what Phish was all about. Teases in the intro to Bowie included a medley of Possum, Mockingbird, Forbin's, Divided Sky, Lawn Boy, Landlady, Mike's Song, The Asse Festival, Lizards, Foam, Hood, Lengthwise, and Makisupa Policeman. Obviously, this, along with Trey's shredding guitar work earn this version a spot on the Bowie Jamming Chart.
Part of the University Memorial Center at UC Boulder, the Glen Miller Ballroom has hosted many concerts including the Grateful Dead, but only this one Phish performance. Though an excuberant videographer pans and zooms more than necessary, Part 1 and Part 2 of this David Bowie show quite nicely what a typical Phish show looked like in the early 90’s: A handful of spotlights on stage without even rudimentary gel changers or other advanced lighting wizardry that would become a hallmark of the live show in coming years, the band arranged left-to-right, Fishman decked out in his Zero-Man garb, a modest crowd completely engrossed in the energy from the stage, no signs, cell phones or camera screens, and a make-shift stage with a black backdrop prior to the Minkins that graced the stages later in the decade.
Part I: (view count 4,100 as of posting)
Part II: (view count 1,200 as of posting)
More Phish Videos: www.phishvids.com
The thing about clichés is that they are mostly true.
It’s obvious after watching the Waxbanks-Wolfson-Gans cage match here on Phish.net and on Facebook over the past week that a lot of you feel very passionately about the Grateful Dead and Phish. More than a few of you feel very passionately about both and, like Waxbanks, I number myself among you. And more than a few of you favor one over the other with a generous measure of – let’s say – passion. It seems bafflingly necessary for some to litigate the merits or superiority of one over the other.
Welcome to the 64th installment of the Mystery Jam. As usual, we will be playing for an MP3 download courtesy of our friends at LivePhish.com / Nugs.Net. The rules haven't changed: you need to correctly identify the song and the date to win. Post your guess in the comments. One guess per person per day (with the second “day” starting after I post the hint). The hint will come on Tuesday and the answer will be posted on Wednesday. Good luck...
Tuesday Hint: No hint needed this week.
MP3 Downloads Courtesy of LivePhish.com
The following excerpt from The Phish Companion is shared not only to encourage you to explore the book, but in light of concerns on the forum about jaded vets. We’re of course thrilled that so many people continue to discover (and rediscover) Phish, and welcome you to a site where connoisseurship sometimes puts praise in the context of historical variance. Previously posted in the earlier (Tumblr) version of this blog, it's now posted here...
There has been such extensive discussion about Phish’s high points that there are common suggestions for best performances (esp.12/31/95), strangest setlists (esp. 2/20/93), and most cosmic experiences (esp. 1/1/00). Much less attention is paid to the “bad moments” in Phishtory. You can find critique (and anything else) in excess in some places on the Internet, but it’s taboo in some circles. Many fans wear rose-colored blinders, or even nay-say about the possibility of mishaps, following the neo-hippie mantra that “it’s all good”. But it isn’t, even with Phish, and discussing that is a necessary responsibility in comprehensively covering their history and music.
Trey Anastasio - "Back to the Phuture" article in July 2000 SPIN magazine
I went online in a Phish chatroom once. I logged on as Crackhead and was talking about smoking crack with Trey backstage. And they were like, 'Bullshit! He doesn't do that!' and I was like, 'Yes he does.' And they were like, 'What was Brad Sands, Phish's road manager wearing?' and I said 'Red Shirt, black tie, standing over by the hors d'oeuvre tray.'
Most lot merch aficianados know about Sean "Waldo" Knight of Knighthood Ts, who fought a copyright infringement battle with Phish, Inc. back in the day over the "song title" parody T shirts where someone other than Phish's IP (such as the manufacturers of Tide detergent, say, for the popular "Glide" T shirts) was arguably being infringed.
Waldo won that battle, and it's been assumed by lot merchants and "phan artists" that most companies other than Phish won't bother with similar trademark parodies. Companies like New England's H.P. Hood dairies, for instance, might even be amused by and benefit from the windfall of publicity and goodwill from Phish fans, on the "all publicity is good publicity" theory.
But not so fast says Bridgestone Brands a/k/a Firestone, which recently sued Waldo and his wife Joanne for copyright infringement. Firestone is not amused because it considers itself in the clothing business (NASCAR style race car driver attire) as well as slinging tires. Firestone's suit seeks an injunction against the sale of the infringing items and triple Waldo's profits as provided for by copyright law.
More details from trademark law blogger Lara Pearson's Brand Geek[r] blog here.
Congratulations to Adam Scheinberg, a Mockingbird Foundation Board member and IT Director (and of course .net webmaster) for being recognized by the Orlando Business Journal as one of this year's "Forty Under Forty" finalists.
In his day gig, Adam is the senior director of technology and information systems for Massey Services, Inc., an environmental services company headquartered in the Orlando, FL area.
Adam is profiled in today's online edition. Not surprisingly to anyone who hangs out on phish.net, he lists "concerts and travel" as the biggest categories of his disposible income.