Welcome to the 187th edition of Phish.Net's Mystery Jam Monday! The winner will receive an MP3 download courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the mystery jam clip. Each person gets one guess per day, with the second “day” starting after I post the hint. A hint will be posted on Tuesday if necessary, with the answer to follow on Wednesday. Good luck!
For a limited time, you can access our blog archive at phishnet.tumblr.com.
Welcome to the 186th edition of Phish.Net's Mystery Jam Monday! The winner will receive an MP3 download courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the mystery jam clip. Each person gets one guess per day, with the second “day” starting after I post the hint. A hint will be posted on Tuesday if necessary, with the answer to follow on Wednesday. Good luck!
An online auction is currently being held at http://auction.mimifishman.org/ with proceeds benefiting The WaterWheel Foundation. You can bid on ticket and CD packages for more than twenty shows, CID Ticket/Travel packages for Atlanta, Alpine Valley and Dick's, or even a Glen Close luxury tent package for Magnaball. The auction ends this Thursday, June 4th, so don't miss your chance to bid on these items for a great cause.
Brothers Day (May 24th) is as good a day as any to satisfy a common request in comments about previously posted charts. So, here finally is a Venn diagram with Phish songs that mention brothers. (Another, for "dog shows", will come later.)
Phish has sung the word "brother" live 1,603 times, in 311 song performances at 283 shows. But no shows have included all four songs that use the word ("Brother", "Wolfman's Brother", "Sand", and "Crowd Control"), or even any three of them; and only 28 shows have included any two of the four. There just aren't a lot of Brother Shows (though there are a few more Bro Shows, if we expand to include the slang "Brutha" in Julius).
A little over a month ago, PhishNet user @TheRealBurnham (Matt Burnham) began polling Phish fans in order to compile a list of Phish's "Hall of Fame" jams. The results of Matt's survey are below, written in his words, and we hope you find them both useful and entertaining. We also urge you to "Comment" thoughtfully, to help create a record of why you believe particular jams belong in certain "tiers," and to draw attention to why your favorite improvisational versions of Phish's songs matter so much to you. Please, share your Phish story, as it may also be "Hall of Fame" material. -charlie
Thanks to a great user response, I received 291 legit ballots for the Hall of Fame. Some ballots were excluded (were not "legit") due, for example, to people just voting for “YEM” with no date (or refusing to list any version of anything), but overall there was such a great turnout that it lends credence to this being a real, quasi-statistically valid poll.
Were I to design and envision the Phish Hall of Fame, a Phish museum would be on the the first floor. The first thing that you’d see is the Hot Dog from the 1994 New Year’s Eve Show, because we would of course get that back from the Rock and Roll Hall of Fame. The floor would be littered with information on New Year’s Eve and Halloween shows, famous sets and band synopses. There would be information about Jeff Holdsworth, Marc Daubert, Tom Marshall, The Dude of Life, and Chris Kuroda. But interspersed among all this would be snippets about the Hall of Fame voting.
Registration is now open for the “Philosophy School of Phish,” a special section of PHL 360: Philosophy and the Arts, at Oregon State University. The class merges the experience of Phish’s live performances with the study of theories about art, aesthetic judgment, community, and more. It is designed as a philosophy of music class, and will incorporate live Phish performances as case studies.
Phish.Net user Matt Burnham (@TheRealBurnham) is in the process of taking votes from fans on Phish's "Hall of Fame" jams. Surely you've listened to a lot of Phish over the years, yes? They're a highly improvisational band, as you are well-aware, and their versions of certain songs (as attested to ad nauseum in this site's Jam Charts) can differ in spectacular ways----harmonically, melodically, rhythmically, hilariously----week to week and tour to tour. You probably wouldn't be reading this if you didn't already have thoughtful opinions on The Greatest Jams In Phish History, right? Here's more information about what Matt is up to, in Matt's own words, and how you can help determine which jams should be in the "Hall of Fame":
Phish.net lists 871 songs written and/or played by Phish, but that includes 22 that were "only" teased or jammed, 42 unperformed originals, and 533 covers, of which 289 weren't played beyond their debut. Of the 274 originals left, 42 were only played once and most were written decades ago.
But don't discount the band's originality yet, as there's good evidence of two forms of overlooked balance. You can see them both in today's chart (the next in a series), which involves several variations on a population pyramid (a.k.a an age-sex graph, a variation on a paired-bar graph).
This chart treats Phish's repertoire of songs as a population, disaggregates them by age (measured by year of debut, with the oldest on top), and distinguishes originals from covers (rather than male/female, as is typical). Further, the bars for each age are segmented ("stacked") to differentiate songs that were only performed once (the lighter tips of each bar) from those performed more than once (the darker root of each bar). Finally, to help understand growth in the repertoire, rows are labelled with studio album releases and musical costume albums performed in the given year.
The next few entries in our charts series summarize some of the information and scrutiny available through Phish.net. First up, a quantitative summary of the site's extensive Jamming Charts, which identify 3,343 recommended performances of 193 songs (an average of 17.3 each) as well as 919 highly recommend versions (an average of 4.8 each).
For the 41 of those songs which were performed 150 or more times, the chart to the right illustrates the total performances (to end of grey), proportion recommended (end of green), and proportion highly-recommended (yellow).
Those 41 songs account for 1,549 recommended versions and 541 highly recommended versions, or about half of all those in the Jamming Charts. But those charts recommend a wide range - from only 2 of the 438 Caverns, to 43% of the 366 Tweezers (of which 63, or 17%, are highly recommended.)